Michael F Simpson

In which I celebrate Halloween by discussing vampires, how they evolved and became a worldwide literary obsession.

In which I discuss Fiona Barnett's 'The Dark Between the Trees,' and the ways it elevates the haunted forest subgenre.

In which I discuss Eli Wilde's 'Two Lumps of Sugar for Mr Anxiety' and the compelling way it represents mental health in adulthood.

In which I discuss Neil Gaiman's 'Coraline,' introducing the concept of gateway horror, and its inherent value.

In which I discuss Agustina Bazterrica's 'Tender is the Flesh,' and the high status it deserves.

In which I explore the relationship between story and presentation, and whether one is more important than the other.

In which I discuss Megan Hunter's 'The Harpy,' and how it uses presentation to cause emotional responses.

In which I discuss Patrick Ness's 'A Monster Calls,' and how it uses story to cause emotional responses.

In which I discuss Adrian Barnes's 'Nod,' and its uniquely psychological apocalypse.

In which I discuss Clive Barker's 'The Hellbound Heart,' and its unique and modern approach to Gothic horror.

In which I explore the sub-medium of short stories for the first time, and how Edgar Allan Poe perfected it.

In which I discuss Stephen King's 'The Shining,' and the benefits it draws from a longer page count.

In which I discuss John Milton's 'Paradise Lost,' going into great detail about its themes, as well as the value of a challenging book.

In which I discuss John Wyndham's 'The Chrysalids,' and the ways it explores the theme of discrimination.

In which I conclude my series of essays on genre, this time looking more deeply at horror, and what it means to me.

In which I continue talking about genre, this time looking more deeply at science fiction, and what it means to me.

In which I continue talking about genre, this time looking more deeply at fantasy, and what it means to me.

In which I start a new series of essays, and explore the idea of genre, and what it means to me.

In which I return to the theme of perspective characters, and discuss the ways Martha Wells's 'Murderbot' might have given me what I wanted.

In which I discuss James Herbert's 'The Rats,' and the ways it reinvents a popular subgenre of horror.